Stevens Lawson Architects

 


05 a corporate world


selected

exhibition: A bespoke display system for the New Zealand Institute of Architects

exhibition: Point of Distance
Venice Architecture Biennale 2014 : submission

exhibition: Diverse Practice
School of Architecture, VUW

exhibition: ParlourLIVE!
Venice Architecture Biennale 2016 : submission

film: Making Waves with 20...

id: Athfield Architects
id: KAREN Network
id: KTA
id: Logan Studio
id: The Oxygen Group
id: Parlour
id: REANNZ
id: Sharon Jansen Architect
id: Stevens Lawson Architects
id: TRANSFORM

magazine: BRAIN magazine, JP
magazine: Desktop magazine, AU

mapping: KAREN Network

print: Adam Art Gallery
print: A+W•NZ
print: Kristy Gorman
print: Creative New Zealand
print: TypeSHED11

poster: A+W•NZ
poster: A Cadavre Exquis, TS11
poster: Fête du Graphisme 2015
poster: Blue Oyster Art Space
poster: Like This, Like Us
poster: Man-Made
poster: Salted:Singlet
poster: Things That Move Me
poster: Wonder-Land
poster: Window

wayfinding: Athfields
wayfinding: Distance Markers
wayfinding: Fran Wilde Walk





Logo and visual identity for Stevens Lawson Architects



client: Nicholas Stevens and Gary Lawson

Designed in 2005, this construction of letterforms was a response to the Stevens Lawson partnership, practice, and philosophy. It was also informed, somewhat, by the multi-storey Wellington house Nicholas Stevens had designed, just prior to Gary Lawson joining the practice, for Bruce Connew and me on a cliff-side in Roseneath. The build was completed in 2002.

The identity has served the SLA brand well over the years, and is much loved by the practice.

A recent collaboration with Stevens Lawson Architects has been the lettering for the Blyth Performing Arts Centre.


related links

Stevens Lawson Architects





2000s selected

Athfield Architects
REANNZ Research & Education Advanced Network New Zealand
The Oxygen Group




1990s selected/archived

Creative New Zealand
Victoria University
Wools of New Zealand



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