studio catherine griffiths


 

photograph / Simon Devitt © 2012

 


 

photographs / Catherine Griffiths © 2012

 


 

 

 

 

 

drawings and studies / Catherine Griffiths © 2012

 


 

photographs / Simon Devitt © 2012

     
     
     

01 typography in the landscape


 

Light Weight O
O’Connell Street, Auckland, NZ
2012 / installed 2018

Kihi/Kiss
Wellington Airport domestic terminal, NZ
2015 / installation tba

Collidescape
Te Kei, Ara Institute of Canterbury, Christchurch, NZ
2016

Zion Hill Park
Auckland, NZ
2014 construction 2015/16

Fifth Movement
Takapuna Beach House, NZ
2012

The Trestle Leg Series
Auckland Harbour Bridge, NZ
2012

A Hillside Intervention Athfield Architects, Wellington, NZ
2011/12

AEIOU
A typo/sound sculpture, Wellington, NZ
2009

Wellington Writers Walk
A series of 15 concrete text sculptures, Wellington, NZ
2002 and 2004

Ponatahi House
A house wrapped in literature, Wairarapa, NZ
2003

Distance Markers
A series of cast-iron, number discs, Wellington, NZ
2004

 


Fifth Movement

2012



for Takapuna Beach House, with Athfield Architects, Auckland, NZ


Third in the vowel series, ‘Fifth Movement’ is a response to the initial problem of cracked concrete floors. This problem dissipated as the idea took hold. The abstract forms of ‘A-E-I-O-’ meander through the interior, replacing some of the cracks, leaving others, to an upright ‘U’ outside. A bronze pivot punctuates the reading of the work. As well as being sequential and a form of recitation, the musicality of this work — the abstracted notations, the tuning fork -like form of the ‘U’ — is referenced by the title. Quite by accident, I learned of the depth of love and need for music in the family.

 


Stone, glass, brass, corten steel, and bronze.


related links

AEIOU
Sound Tracks
A Hillside Intervention
Athfield Architects
Simon Devitt




 

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